{
  "$type": "site.standard.document",
  "bskyPostRef": {
    "cid": "bafyreicyjennrov4egqfobystjhyvklttphmvp5nmmv2imleitajeue4yu",
    "uri": "at://did:plc:hejao6wge3hrmke6f527fttv/app.bsky.feed.post/3mnrofvjhkux2"
  },
  "coverImage": {
    "$type": "blob",
    "ref": {
      "$link": "bafkreibmhffnt5b7ulshkvocki2pcevkrzovmjlqk6s2rzq6udzukx4nzq"
    },
    "mimeType": "image/jpeg",
    "size": 43069
  },
  "path": "/features/craft/ted-vfx-interview-craft-roundtables-1235198580/",
  "publishedAt": "2026-06-07T19:00:00.000Z",
  "site": "https://www.indiewire.com",
  "tags": [
    "Craft | Technology, Sound and Set Design",
    "Features",
    "Craft Roundtables",
    "Ted",
    "TV"
  ],
  "textContent": "During IndieWire's Craft Roundtables, co-VFX Supervisor Hoyt Yeatman explained why the show's many interactions between live actors and animated characters forced everyone to be fluid.",
  "title": "The ‘Ted’ VFX Team Had to Improvise Like Jazz Musicians"
}