The “LatinoLand” author discusses a few of the books that she has turned to while working on her new novel.
The “LatinoLand” author discusses a few of the books that she has turned to while working on her new novel.
Harriet Clark’s new novel, “The Hill,” parallels her own childhood years spent visiting the prison where her mother was incarcerated. She talks with Rachel Aviv.
A new biography claims that the novelist fabricated her origin story—but that secret codes lie at the heart of her genius.
“The Palm House” is haunted by stubborn male egos and sharp-edged women whose honesty is often ineffectual in the face of life.
The New Orleans writer Nancy Lemann conjures scenes of booze-soaked calamity, where everyone and everything is on the verge of rot.
The novelist and poet discusses how smartphones “charge the air around us,” what fiction can record that a transcript can’t, and why the book is also a handheld device.
Add these titles to your TBR list, stat.
"I wish there was a way to boycott the updated versions."
Sign up to receive the Daily Dot’s Internet Insider newsletter for urgent news from the frontline of online.
The post “SUPER unnecessary”: Readers of the “Pretty Little Liars” books just noticed updated pop culture references on Kindle editions appeared first on The Daily Dot.
A great fuss surrounds Emerald Fennell’s anachronistic adaptation, but Emily Brontë’s ruthless text will always have the last word.
Emerald Fennell’s brazen take on the classic has both exhilarated and infuriated viewers. What does an adaptation owe to its source material?
Romance novelist and filmmaker Alys Murray joins us to unpack Emerald Fennell’s Wuthering Heights adaptation, and (perhaps unsurprisingly) opinions are varied! What does the movie have in common with Grease 2? Listen and learn! Plus, we have a Hotline call all about movie characters that need family or couples counseling. What’s Good Alonso - Nathan Rabin’s The Fractured Mirror Drea -…
Margot Robbie and Jacob Elordi play a paper-doll Catherine and Heathcliff in an extravagantly superficial adaptation of Emily Brontë’s novel.