SilkType’s Dupioni Font Family Is the High-Contrast Display Typeface Fashion Branding Has Been Waiting For. Some typefaces announce themselves quietly. Dupioni does not. The moment you set a headline in it—even in regular weight—something shifts in the reading experience. The contrast is immediate. The serifs are sharp, almost aggressive, and yet the overall impression is […]
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Typography carries cultural weight long before a single word gets read. The letterforms you choose signal something—craft, authority, warmth, or precision—before the message even registers. The Native Record font trio by Letterhend Studio operates on exactly that principle. It arrives at a moment when designers, brand builders, and creative directors are actively pushing back against […]
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Every few years, the design world reaches for something that feels less engineered and more lived-in. Right now, that pull is stronger than ever—and Le Studio Nocturne by PeachCreme lands exactly at the right moment. It’s a handwritten font set that doesn’t try to compete with precision-drawn scripts or modernist geometry. Instead, it does something […]
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本サイトに掲載している4000以上もの日本語フォントを一覧で表示します。 サイドメニューより、フォント名やカテゴリ、メーカー、リリース年、デザイナーなどの絞り込みが可能です。
プロユース向け日本語フォントの書体見本やフォント情報を 横断的に閲覧・検索できる総合ライブラリです。 このサイトについて すべてのフォントを見る 本サイトに掲載している全てのフォントを見る カテゴリ別に見る フォントカテゴリ別にフォントを見る メーカー別に見る フォントメーカー別にフォントを見る フォント...
The Viale font family by ParaType works quietly and confidently, with the kind of presence that earns trust before you consciously register why. Designed by Natalia Vasilyeva, Viale is a text serif with a slightly informal character that manages a difficult balance: it feels handcrafted without feeling casual and structured without feeling cold. That tension […]
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The Cherry Merlot font Is the Vintage Ink Script Typeface That Balances Edge and Elegance. Some typefaces announce themselves loudly. Cherry Merlot does the opposite—it draws you in quietly, and then you can’t stop looking at it. This vintage ink script by AnMark carries a rare internal tension: soft where you expect sharpness, structured where […]
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Latinotype’s Marcante Font Family Makes a Case for Typography With Real Presence. Seriously, I think that typography currently has a confidence problem. Scroll through Dribbble or Behance today, and you’ll notice it immediately—brands reaching for neutrality, headlines that whisper, logotypes that blend into the page rather than command it. Against this backdrop, the Marcante font […]
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Variable fonts are no longer a novelty. They are rapidly becoming the professional standard for type design, web performance, and brand typography at scale. If you’ve been watching the type world closely, you already know that creating variable fonts is one of the most searched and discussed topics among designers today. And for good reason. […]
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TipoType’s Mundial Font Family Is the Sans-Serif Typeface That Thinks Globally and Designs Locally Some typefaces arrive with a manifesto. Mundial is one of them. Released by the Uruguayan foundry TipoType, this 14-style sans-serif family carries a name that means “worldwide”—and that name is not decoration. It’s a thesis. The idea behind Mundial is deceptively […]
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フォントの混植とは、日本語のテキストは和文フォントで、英語のテキストは欧文フォントで表示したり、またよくあるのがひらがなフォントに漢字が揃っているフォントを混植したり、2つのフォントを組み合わせて使用することです。 通常 […]
Linotype’s Trade Gothic Next Is the Typeface That Refuses to Be Replaced While other typefaces just age, Trade Gothic Next gets sharper. Originally drawn by Jackson Burke for Mergenthaler Linotype starting in 1948, this sans-serif family spent decades as the workhorse of American commercial printing. Then, in 2008, Linotype’s type director Akira Kobayashi and American […]
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The Pizza Club Font Family Is the Bold, Handmade, All-Caps Typeface That Means Business. Some fonts play it safe. The Pizza Club font family does not. From the moment you set a headline in it, you know you’re looking at something that has actual personality—chunky, hand-drawn, all-caps lettering that walks the line between vintage nostalgia […]
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The Karamello Typeface Is a Font That Brings Classic Diploma-Era Elegance Back to Modern Design Script typefaces have a credibility problem. Too many of them lean saccharine—soft, overly casual, built for cupcake logos, and wellness brands. Karamello, designed and published by SAMPLE, is none of that. It arrives with the quiet authority of a hand-signed […]
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Type design sits at the intersection of craft, technology, and obsession. A well-made typeface can take years of work. It can carry the weight of an entire brand identity, define a publication’s voice, or quietly shape how millions of people read the world around them. So when you learn that most professional fonts start life […]
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While some typefaces just age, Gotham accumulates. Twenty-five years after Jonathan Hoefler and Tobias Frere-Jones first sketched its letterforms from the building facades of New York City, the Gotham font family hasn’t just survived—it has become a kind of cultural infrastructure. Presidential campaigns, cornerstone inscriptions, magazine covers, brand identities, airport terminals. Gotham is…
TAN Fairmont Is the High-Contrast Display Serif Font Duo Designers Have Been Waiting For Retro editorial typography is having a full-blown revival. You see it everywhere—on magazine covers, luxury brand campaigns, independent print publications, and editorial-leaning social content that refuses to play it safe. But most fonts trying to ride this wave feel like imitations. […]
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The TBJ Dogmu font family shouts—and it does so with remarkable discipline. Released by Taboja Studio and designed by Yusilo Oktaprima Ardani, this sans-serif display font family arrives with a clear agenda: maximum visual impact without sacrificing structure or legibility. That’s a harder balance to strike than it sounds. The TBJ Dogmu font family earns […]
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The Goldray Club Font Duo Brings a Retro Script and a Clean Sans Together in One Effortless Package. Some font pairings take effort to assemble. You test one typeface against another, adjust weights, tweak spacing, and still end up with something that feels forced. Goldray Club by Letterhend Studio does none of that. It arrives […]
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Soviet book covers from the 1950s and 60s were not supposed to be beautiful. They were functional. Yet the designers working under ideological and material constraints produced some of the most daring typographic experiments of the 20th century — condensed letterforms with razor-sharp serifs, extreme vertical stress, and a restless energy that still feels urgent […]
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Nowstalgic Font Family Redefines What Warmth Looks Like in Contemporary Type Design Typography has a memory problem. Not in the archival sense — but in the emotional one. Too many modern typefaces feel clean to the point of coldness. They optimize for neutrality and end up feeling like nothing. The Nowstalgic font family by Font […]
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Soulmate Mode Is the Font Duo That Makes Retro Design Feel Personal Again Typography has a nostalgia problem — and Soulmate Mode by Mahesans Co. solves it with precision. Most retro fonts feel borrowed. They reference an era without actually understanding it. Soulmate Mode is different. It pairs a chunky, bold vintage sans with a […]
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Some fonts arrive quietly. Cantina Riviera does not. The moment you set the Cantina Riviera font duo on a page, something shifts — the design suddenly smells like sun-baked stucco, coastal menus hand-lettered in the 1950s, and matchbooks left on a bar counter in the south of France. That specific sensory pull is rare in […]
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Some typefaces are quiet. Others feel like they were made for a specific moment in design culture — and the Juliette font by Blessed Print is firmly in that second category. Right now, wedding stationery designers, branding studios, and calligraphy-inspired creatives are all chasing the same thing: a script typeface that feels genuinely handwritten, carries […]
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Sometimes I think that typography moves in cycles. Designers revisit the past, extract what still works, and rebuild it for the present. The Cluster font family by Maksym Kobuzan does exactly that — but more precisely, more honestly, and with a sharper editorial eye than most geometric sans-serifs released in recent years. This is not […]
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Script fonts are everywhere. Most of them feel the same — elegant loops, polished curves, and a kind of manufactured warmth that looks good in a mockup and says absolutely nothing in real life. Onehart Script and Sans, designed by The Branded Quotes, is a different proposition entirely. It doesn’t chase refinement. Instead, it leans […]
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Perfection is overrated. Isn’t it? Designers have chased flawless letterforms for decades, and somewhere along the way, the warmth got lost. That is exactly why the Clumsy Cursive font set by Nicky Laatz hits differently right now. It does not try to be polished. It tries to be real — and it succeeds completely. The […]
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If you’re not enamored with Adobe’s business practices, Blackmagic Design’s DaVinci Resolve, which has presented itself as an excellent alterative to Adobe Premiere, has just received a major update. Per MacRumors, DaVinci Resolve 21’s new feature set includes a Photo page that extends the application’s color grading toolset to still photography for the first time, […]
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4月に、Adobe Fontsで使用できる日本語フォントが増えました！（紹介記事） 今回のアップデートでは、多くのデザイナーに人気の七種秦史氏のフォントが大量追加され、極細のロゴナ、初登場となるG体（ジタイ）のフォント、 […]
Let’s Talk About How TanType’s Allegory Font Duo Brings Editorial Luxury, Fun, and Quiet Precision to Modern Type Design. The TAN Allegory font duo pairs a high-contrast editorial serif with a clean, restrained sans serif — and the result feels less like a font release and more like a considered design statement. If you work […]
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