Lomo’s Sprocket Rocket Pano Film Camera Comes In an Ugly New Color

Lomography's latest release, a pair of new colorways for its popular Sprocket Rocket 35mm panoramic film camera, is a real Dr. Jekyll and Mr. Hyde situation. One of the new colorways is beautiful and understated, while the other is super ugly. The fun part is that some readers may not know which of the two colorways is the ugly one.

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Film Friday: Optik OptiColour Is a New Color Film (That Goes By Many Names)

With this Film Friday Review we are shining a light on a new color film that seems to love traveling the world under a multitude of aliases. While we first met this film as Optik Oldschool OptiColour, you might have crossed paths with it under the ORWO Wolfen NC200 or KONO Color 200 monikers.

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Film Friday: Kodak TMax 400 Is Far From a One-Trick Pony

TMax 400 came into the world in 1986, at the same time as its slower speed brother. You can think of them as near identical twins, in fact. Since its introduction, TMax 400 has helped define a whole new generation of black and white films with its tabular grain structure, high resolution, and sharp image details.

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Todd Webb, a Photographer Who Once Walked From New York to San Francisco, Has Archive Preserved

The MUUS Collection has acquired the Todd Webb archive, an American photographer whose images of postwar city life in New York City and Paris serve as visual time capsules to bygone eras. MUUS preserves, researches, and reveals works from the archives in its care.

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OptiColour Expands Into Large Format as Analog Continues Its Resurgence

Large format photographers have a new option on the table as OptiColour 200 makes its debut in 4×5, 5×7, and 8×10 sheet film. Built on the Wolfen NC200 emulsion, the film brings a familiar look to a format that continues to attract fine art, portrait, and landscape photographers seeking maximum image quality and tonal control.

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