Nikon’s Classic Lenses Are Revered: A ‘Heritage Series’ Makes Too Much Sense

Earlier this week, I published a "review" of sorts of the Nikon S3 rangefinder, which I believe to be one of the most beautiful cameras ever made. Through that experience, though, I was reminded of Nikon's vintage glass, and once again baffled by how the company hasn't remade them.

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Lomo’s Sprocket Rocket Pano Film Camera Comes In an Ugly New Color

Lomography's latest release, a pair of new colorways for its popular Sprocket Rocket 35mm panoramic film camera, is a real Dr. Jekyll and Mr. Hyde situation. One of the new colorways is beautiful and understated, while the other is super ugly. The fun part is that some readers may not know which of the two colorways is the ugly one.

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Twenty Years, One City: What Tokyo Taught Me About Patience and Glass

Most photographers I know are in constant motion. New cities, new continents, new visual problems to solve. There's truth in it. Unfamiliarity forces you to look. Familiarity gives you permission to stop. But there's another, less-discussed school of practice that works in the opposite direction: stay. Return. Go back to the same streets until the strangeness burns away and something else appears…

Film Friday: Optik OptiColour Is a New Color Film (That Goes By Many Names)

With this Film Friday Review we are shining a light on a new color film that seems to love traveling the world under a multitude of aliases. While we first met this film as Optik Oldschool OptiColour, you might have crossed paths with it under the ORWO Wolfen NC200 or KONO Color 200 monikers.

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W
Eine digitale analoge Wasseruhr

Schöne Verwendung von Antonymen, oder? Digital und doch analog, das klingt erstmal nach großem Quatsch, denn entweder ist etwas digital oder eben analog – bei dem „kleinen“ Projekt von Strange Inventions passt das aber ganz gut und ein bisschen quatschig ist das irgendwie auch. Denn der hat eine Uhr gebastelt, deren Zeitanzeige an eine digitale …

OptiColour Expands Into Large Format as Analog Continues Its Resurgence

Large format photographers have a new option on the table as OptiColour 200 makes its debut in 4×5, 5×7, and 8×10 sheet film. Built on the Wolfen NC200 emulsion, the film brings a familiar look to a format that continues to attract fine art, portrait, and landscape photographers seeking maximum image quality and tonal control.

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A Look at One of the Most Beautiful Cameras Hasselblad Ever Released

Every so often, Hasselblad takes to its YouTube channel to showcase a legendary product from its distant past. The latest classic camera to get the modern video treatment is an absolute beauty, the Hasselblad 500 EL/M "20 Years in Space" edition. Released way back in 1982, it is arguably Hasselblad's coolest camera ever.

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The Second View App is a Light Meter and Distance Scale with Parallax Correction and More

Second View is a newly-developed app that turns an iPhone into an all-in-one assistant device for analog photographers. Not only does it include mainstay functions like a light meter and exposure timers, but it also includes a LiDAR distance scale, parallax correction, and film stock reciprocity correction.

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This New Medium Format Film Camera Can Change its Frame Size on the Fly

"One of the best things about medium-format photography is the variety of frame sizes available," says a new Kickstarter campaign for the VZ-6617 variable frame medium-format film camera. The camera aims to take full advantage of this aspect of medium format, enabling photographers to swap between different framing and aspect ratios at any time, even within the same roll of film.

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Foo Fighters – Wasting Light album art

Contributed by Javi Gonzalez

_**Source: ototoy.jp **License: All Rights Reserved. _

From Wikipedia:

Wasting Light is the seventh studio album by American rock band Foo Fighters, released on April 12, 2011, through Roswell and RCA Records.

Wanting to capture the essence of their earlier work and avoid the perceived artificiality of digital recording, Foo Fighters recorded the album…

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Kodak’s Ektacolor Pro Film Is the New Name of the Beloved Portra

Alongside the new Kodak Ektapan 100, 400, and P3200 black and white films, Eastman Kodak also released Kodak Ektacolor Pro 160, 400, and 800 daylight-balanced color negative film. The new Ektacolor Pro films appear to be rebranded versions of Kodak's extremely popular Portra films, which have long been distributed by Kodak Alaris rather than Eastman Kodak itself.

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