Rai Cinema Boards ‘Defence Line – Gaza’ About Italian Mission To Evacuate Wounded Palestinian Children

EXCLUSIVE: Rai Cinema is getting behind a feature inspired by a real-life operation involving Italian intelligence, elite special forces and the Foreign Ministry’s Crisis Unit to evacuate Palestinian children wounded in air strikes from the war-torn territory. The cinema arm of Italy’s state broadcaster is joining forces with Rome-based MasiFilm on the production, working titled […]

“Il Paradiso delle Signore mi ha tolto lo stress e l’ansia. Ho cantato in Vaticano e per il Papa. Ora sono il Maresciallo che tutto sa e tutto vede”: parla Alessandro Tersigni

Alessandro Tersigni è tra i protagonisti del film “Carmen è partita”, un film di e con Domenico Fortunato con la partecipazione di Maurizio Mattioli, disponibile dal 16 maggio in esclusiva su RaiPlay. In un antico borgo nella valle del Tevere, scompare improvvisamente Carmen (Giovanna Sannino), da sempre al centro dei pettegolezzi del paese. La donna […]

L'articolo “Il Paradiso delle Signore mi…

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Rai Cinema Presents Giuseppe Tornatore’s Bank Of America Founder Project ‘The First Dollar’ At NIAF Gala

Rai Cinema touched down at the National Italian American Foundation (NIAF) New York gala on Thursday evening to present Giuseppe Tornatore’s upcoming film The First Dollar to the high-profile guests. The project, which is in development, tells the story of Amadeo Peter Giannini, founder of the Bank of Italy, later known as Bank of America. […]

Gianni Amelio’s ‘No Pain,’ New Works by Martone, Vicari, Kossakovsky, Topline RAI Cinema International Cannes Market Slate (EXCLUSIVE)

RAI Cinema International Distribution is heading to the Cannes market with a promising slate headlined by new works from prominent Italian auteurs and Cannes and Venice aficionados including Gianni Amelio, Mario Martone, Daniele Vicari and Berlin-based Russian helmer Victor Kossakovsky. Amelio, who is best-known for his Oscar-nominated “Open Doors” (1990) and also “Stolen Children,” which […]

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