In ‘How to Rule the World,’ Theo Baker sizes up the ‘Stanford-within-Stanford’

"Baker’s book is as much about Stanford — as a place, idea and institution — as it is about what it means to be young," writes Cunningham.

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Text and the City: In ‘The Lovely Bones,’ why are dead girls easier to love?

Alice Sebold’s 2002 novel, “The Lovely Bones” risks romanticizing violence against women rather than confronting it as wrongdoing.

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Mohr Visiting Poet D.A. Powell’s reading offers intimate look at nature and desire

Powell shared poems spanning a decade of his work, featuring works about faith, resilience and desire, shaped by natural imagery.

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What is There Not to Love: Inej Ghafa sheds the feathers of her past in ‘Six of Crows’

The female protagonist of Leigh Bardugo's fantasy duology embodies strength in the battles women face in a patriarchy.

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Dirty Hungry Homosexuals: ‘The Starving Saints’ starves readers of a satisfying ending

Columnist Dayanara Yepez Ramirez ’28 attempts to articulate the flummoxing journey author Caitlin Starling takes readers through.

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‘No translations, no apologies’: novelist Viet Thanh Nguyen explores the duality of self and other in Lane Lecture

In his Lane Lecture Series talk on Feb. 25, Pulitzer Prize-winning novelist Viet Thanh Nguyen said that in America, “the beauty is made possible by the brutality.”

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Text and the City: In ‘My Husband’s Wife,’ the past returns with a knife in hand

Corry combines a woman’s legal career with a fragile marriage and old threats from the past, reminding readers that success without self-protection is its own insidious danger.

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Irony as armor: Yale’s Maurice Samuels explores literary survival in the ‘gray zone’ of tyranny

Using 19th-century France as a parallel to modern democratic erosion, the Yale historian argued that Charles Baudelaire’s "gray zone" of complicity and irony represents the most typical experience of a writer surviving under tyranny.

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Dirty Hungry Homosexuals: ‘Paradise Rot’ probes the sensuality of sound

Not everything that eats you has to do so using its mouth. In Jenny Hval’s novel, Jo rapidly becomes consumed by thoughts of her roommate Carral, accentuating the blurring nature of queer desire.

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