Hard Feelings: The Whitney Biennial’s Aesthetics of Vulnerability

ANXIETY, DEPENDENCE, and above all vulnerability: These are the themes of this year’s officially themeless Whitney Biennial. In the catalogue, curators Drew Sawyer and Marcela Guerrero report that they began with the question, “How should this exhibition feel?” They then sought “to compose a set of moods that resonate with the turbulent existential weather of […]

Schlock Jock: Joshua Citarella at the Whitney Biennial

I LISTEN TO PODCASTS on the train, while washing dishes, sometimes while walking around. It’s hard to think of a more passive medium, engineered for split attention—the thought of dedicating one’s attention fully to a podcast is as antithetical as listening to drive-time radio over a hi-fi system at home. Yet on a beautiful Saturday morning in late […]

Whither Biennials? On the Crisis of Global Art

IN 2003, Artforum convened a roundtable of curators and artists to discuss the phenomenon of “the large-scale exhibition—from Documenta to the Venice Biennale, as well as any number of other biennials that cropped up around the world during the past decade.”* The participants included Okwui Enwezor, fresh off curating the previous year’s Documenta 11; Francesco […]

Can the Biennial Serve a City, or Just “Big Art”?

FOR MUCH OF the twentieth century, regional juried exhibitions hosted by encyclopedic museums throughout the United States constituted the dominant civic model for recognizing local artmaking. From 1897 to 1985 the Art Institute of Chicago punctuated its annual exhibition calendar with the series “Chicago and Vicinity.” Other examples abound: When I began my work as […]

Opening Day: Alex Jovanovich’s Whitney Biennial Standouts

Today, the Whitney Biennial opens to the public, and Artforum Senior Editor Alex Jovanovich offers a few tips on what to seek out. (Also: Read Biennial thoughts from Co-Editor Rachel Wetzler and Editorial Assistant Theo Belci.) Carmen de Monteflores There’s a video clip of Andrea Fraser at a 2007 panel discussion about contemporary feminism. In it, she talks […]

Opening Day: Rachel Wetzler’s Mini-Tour of the Whitney Biennial

Today, the Whitney Biennial opens to the public, and Artforum co-editor Rachel Wetzler shares a few tips. (Also: Read Biennial thoughts from Senior Editor Alex Jovanovich and Editorial Assistant Theo Belci.) I suspect that you’ll come away with a very different sense of this show’s tone depending on whether you start on the fifth floor […]

Opening Day: Theo Belci’s Best and Worst of the Whitney Biennial

Today, the Whitney Biennial opens to the public, and Artforum Editorial Assistant Theo Belci shares a couple tips. (Also: Read Biennial thoughts from Co-Editor Rachel Wetzler and Senior Editor Alex Jovanovich.) Young Joon Kwak Kwak’s disembodied disco ball—Divine Dance of Soft Revolt (Anna, Travis, and Me), 2024—is a glitzy chandelier better suited to the SoHo […]

War in the Middle East, the Whitney Biennial, and a newly-discovered Rembrandt in Amsterdam—podcast

Ben Luke talks to The Art Newspaper's Melissa Gronlund about the outbreak of war in a region that has invested heavily in arts and culture, while Ben Sutton discusses the 82nd Whitney Biennial in New York. Plus, a newly-discovered Rembrandt at the Rijksmuseum.

You Can Play Leo Castañeda’s Whitney Biennial 2026 Video Game at Home, and Other News

Plus, Leo Castaneda's "Camoflux Recall Grotto," image courtesy of the artist and Whitney Museum In advance of the 2026 Whitney Biennial, you can play a video game by Leo Castaneda. Leo Castaneda will exhibit a meditative, playable video game installation within the 2026 Whitney Biennial, running March 8-August 23. Titled "Camoflux Recall Grotto," and part […]

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