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Slow Burn: Dispatch from Cannes

The wearied refrain—Cannes 2026 was a ho-hum edition, no masterpieces to see here, take the earlier flight home—obscured the quiet revolution taking place in film after film. This was a year of stories that build: All of a Sudden, The Dreamed Adventure, and La Gradiva are accumulative works, beautifully wrought and devastating in different ways, but not in the white-knuckle, nerve-racking manner…

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Live From Cine Gear Expo 2026

If NAB Show seems to inspire a mini–existential crisis in me each year, as I am forced to reckon with cinema’s diminishing relevance amidst other growth arenas in video, Cine Gear Expo invites more optimistic vibes with its film focus and Hollywood backlot setting. Cine Gear acts as a two-day gathering of Los Angeles cinematographers, gaffers, and lighting technicians to check out the latest gear…

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The Gotham EDU Announces 2026 EDU Film and Media Career Development Program Cohort

The Gotham, Filmmaker’s publisher, announces today the cohort of the 2026 edition of The Gotham EDU Film and Media Career Development Program. The eight-week virtual program will allow college students from across the country to glean insight from industry professionals via opportunities that include mentorship, curated sessions, and pitch feedback. Each student will pursue one of six distinct…

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“I Hope They Boo”: Tim Heidecker and Eric Wareheim Take Cannes

Laurel and Hardy, Martin and Lewis, Nichols and May… Tim and Eric. A double-act for the ages, Tim Heidecker and Eric Wareheim first teamed up as students at Temple University in Philadelphia, and secured comedy-legend status with their chaotic-good surrealist sketch show Tim and Eric Awesome Show, Great Job! (2007–2010), produced for Adult Swim. Like public-access TV beamed through a cracked…

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Taiwan International Doc Fest: The Island a Stage

In 1998, the Taiwan International Documentary Festival held its first edition, a decade after martial law was lifted in the island nation. It was a particularly exciting moment for documentary in Taiwan: independent video activism was on the rise, and new models of community media pointed to alternative structures for production and distribution. And yet, apart from Yamagata (founded in 1989),…

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Bleak Week, C’est Chic

The inaugural season of the American Cinematheque series Bleak Week: Cinema of Despair took place in 2022, a cheeky stab at some summertime counter-programming. Its diverse lineup was aimed, as per the Cinematheque’s website, at spotlighting “filmmakers who wholly embrace a cinema of despair in pursuit of unpleasant truths and raw empathy.” Indeed, in the festival’s first 33 film–strong slate of…

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Cannes: Devils May Care

Cannes, while a real privilege to attend, is also a gauntlet—a marathon of viewing and socializing—and I’ve reached the point where my eyes have begun to droop and my head has started to throb. But there’s still work to be done! I’m here on behalf of the Asia Society, a global network of centers dedicated to deepening understanding between Asia and the rest of the world. We have a beautiful…

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Cannes: Premium Diesel

It’s one of my closely held festival precepts that the odds of seeing a great film are much improved by making a beeline for the restorations and revivals. These are films that have endured beyond just one turn of the festival hamster wheel, their merits as art or artifact more or less established. Although a festival is first and foremost a showcase of things new and notable, sometimes the…

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Cannes Interview: Dominga Sotomayor on Her “Spontaneous and Liberating” La Perra

Dominga Sotomayor’s cinema is one of confined spaces. Her features tend to unfurl in tight, growingly claustrophobic settings. In her 2012 debut Thursday till Sunday, the action took place by and large inside a car en route to the beaches of northern Chile; her festival prizewinning breakout Too Late to Die Young (2018) never strayed beyond the confines of a bohemian commune at the dawn of the…

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Visions du Réel 2026: Utopian Futures

Crisp powder blue shirting, the shock of red wool, and a puff of a curly bob—Visions du Réel Artistic Director Emilie Bujès was everywhere at this year’s festival, whether on stage at Place du Réel, smiling as she greeted friends old and new, or grasping a karaoke mic with her staff. Just two weeks before the opening of the annual creative nonfiction festival in Nyon, Switzerland, Bujès announced…

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Prismatic Ground 2026: Windows and Thresholds

In its sixth year, New York City’s Prismatic Ground festival doesn’t show any signs of rote predictability. Founder and programmer Inney Prakash has used the festival, which most recently took place from April 29 through May 3, to foreground global voices in the contemporary avant-garde. He likens his curatorial process to “conducting a piece of music or slaloming down a mountain,” but otherwise…

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Ritual of Care: Screening My Film Inside a Women’s Prison

I was told to wear black. Black is the safe choice. But today, I take a page from formerly incarcerated Sing Sing star Clarence Maclin, who was wearing a galaxy-themed graphic tee when I met him at the 2025 San Quentin Film Festival. My shirt is patterned vividly with dinosaurs and aliens in space. I am embracing my inner child, honoring that goofy kid who made movies in his tiny bedroom just…

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NAB Show 2026 Moves Toward Broadcast, but Cinema Products Still Excite

“NAB has always been the broadcast show,” Paul Hawxhurst, senior technical specialist at Canon USA, told me at the show this year. “For a little while there, it was cinema, cinema, cinema. Right now, it’s going back to broadcast, broadcast, broadcast.” On the floor in Las Vegas, that shift is hard to miss. As I made the rounds on the final day of the show, I asked vendors how business had been,…

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The Popcorn List: Pop Up Series to Launch Theatrical Series of Films Without Distribution

The Popcorn List, an annual survey completed by festival programmers identifying “fresh, hot” films without wide distribution, presents the second edition of The Popcorn List: Pop Up Series. This sneak-preview screening event will be held at a dozen theaters across the country in July before arriving for an encore presentation during Gotham Week in October. This is the second annual iteration of…

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Work Won’t Love You Back: Greta Rainbow on The Devil Wears Prada 2

If the woman in monogrammed Chanel acid-wash jeans standing on the Regal Times Square escalator had stayed to the right to let me walk past, I might not have missed the first ten minutes of The Devil Wears Prada 2. But fate was such that I was thrust into the sequel of the season without set-up. Settling into the theater’s signature ButtKicker seat, flanked by two of my best girlfriends, I re-met…

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“Personal Storytelling, Experimentation, and a DIY Spirit”: A Look Inside LAFM 2026

Returning for its third annual edition, the Los Angeles Festival of Movies boasts a lineup of critical darlings from other festivals, newly-restored global cinema, and even the odd world premiere. Co-founded by Sarah Winshall, producer behind indie gems like I Saw the TV Glow and Good One, and Micah Gottlieb, artistic director of the programming non-profit Mezzanine, LAFM was created in part to…

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Eight Feature Recommendations from ND/NF 2026, From an IFFR Winner to Charli XCX’s Indie Debut

New Directors/New Films, the annual showcase for emerging filmmakers co-presented by Film at Lincoln Center and the Museum of Modern Art, runs from April 8 to 19. Now in its 55th edition, ND/NF can boast of having screened the early films of generations of globally renowned directors, from Wim Wenders, Theo Angelopoulos, Steven Spielberg, James Benning, and Chantal Akerman in its first several…

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Exclusive Clip: Roseanne Pel on Her New Directors/New Films Closing Night Title Donkey Days

The 55th edition of New Directors/New Films, the annual showcase of rising cinematic talent co-presented by Film at Lincoln Center and MoMA, will run April 8-19. Opening the festival is Adrian Chiarella’s queer horror film Leviticus, and other standouts include John Early’s brilliant bulimia comedy Maddie’s Secret, Kevin Walker and Jack Auen’s hypnotic hybrid Chronovisor, and Giulio Bertelli’s…

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They Will Kill You Took the Blood, Sweat and Tears of Kirill Sokolov, Zazie Beetz, and Myha’la

It’s the closing night of the 2026 SXSW Film Festival and They Will Kill You director Kirill Sokolov is taking to the stage of the Paramount Theatre in Austin. He has multiple pages in hand listing out all of his collaborators he wants to thank. Where most filmmakers give a few brief remarks, possibly crack a joke or two, and then make a quick exit stage left, Sokolov, who previously made the…

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Watch Six Short Films from Filmfort 2026

Filmmaker is happy to continue its annual partnership with the Filmfort Film Festival by exclusively hosting six short films from the 2026 edition, which kicks off today. Occurring simultaneously during the Treefort Music Festival in Boise, Idaho, Filmfort highlights emerging indie fare. On the feature film front, this includes The Scout, directed by Paula González-Nasser—who appeared on our 25…

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UFO Short Film Lab Announces 2026 Fellows

UFO announces the fellows that will join the latest cycle of the UFO Short Film Lab. The 18-month program supports early-career filmmakers to develop and direct two original shorts, awarding $20,000 ($10,000 per project) to each participant. Additional resources include complimentary rentals of ZEISS’s newest lenses, seminar-style workshop sessions hosted at the Brooklyn Academy of Music (BAM)…

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From Fables to Forensics: Five Documentaries from CPH:DOX 2026

CPH:DOX’s 2025 edition opened with Facing War, a documentary presenting the Russo-Ukrainian war through the final year of NATO Secretary General Jens Stoltenberg’s tenure. Though some critics found the film overly cautious in its presentation of political lobbying, its premiere proved unexpectedly well-timed amid Trump’s return to power and anxieties surrounding European alliances. For CPH:DOX…

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“You Have to Adjust the Sails to the Winds”: Graham Parkes on Wishful Thinking

Love is one of the most powerful forces in the universe. It’s been the subject of some of the best films ever made for good reason, as it’s something that can grab hold of not just your desires, but your very soul as you search for meaning in a life where it can otherwise be lacking. In American filmmaker Graham Parkes’ feature debut, Wishful Thinking, this is made literal as it paints a portrait…

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“Questions of the Soul”: Director Brian Tetsuro Ivie and Star Sydney Chandler on Anima

A lo-fi sci-fi road trip film that reaffirms the magic of discordant personalities finding harmony, director Brian Tetsuro Ivie’s Anima is at once earthy and spiritual. It focuses on Beck (Sydney Chandler), who, on the first day of a new job, is assigned to accompany Paul (Takehiro Hira) to a facility for an end-of-life procedure. Paul has decided to upload his consciousness into a cloud system,…

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“We’re Becoming More and More Disconnected as a Society”: Alex Prager on DreamQuil

These are overwhelming times, and disappointment is everywhere. Wouldn’t it be nice to just get away from it all with a nifty procedure and an automated assistant to take care of things? Tempting as the fantasy sounds, Alex Prager’s sci-fi drama DreamQuil offers a counterpoint: how much humanity will we stand to lose in the pursuit of happiness? The more we give up our responsibilities and human…

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One Battle After Another Wins Big, Sinners Makes History at the 2026 Oscars

It only took 10 movies, but Paul Thomas Anderson is now, finally, an Oscar winner—a three-time winner in one night no less, with One Battle After Another picking up a total of six Academy Awards including best picture, director, supporting actor, adapted screenplay, editing, and casting. Anderson accepted the top prize with producer Sara Murphy. In his speech, Anderson invoked the five best…

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A Guide to SXSW 2026, From Penis Enlargements to Pagan Mall Employees

Filmmaker is heading to the 40th edition of SXSW, where myself and several talented contributors will be on the ground filing interviews and dispatches from various corners of Austin’s city limits. This year’s lineup is massive—with 119 feature films alone—and we happily assume the daunting role of covering buzzy world premieres and hidden gems alike. Speaking of world premieres, there’s an…

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