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Taiwan International Doc Fest: The Island a Stage

In 1998, the Taiwan International Documentary Festival held its first edition, a decade after martial law was lifted in the island nation. It was a particularly exciting moment for documentary in Taiwan: independent video activism was on the rise, and new models of community media pointed to alternative structures for production and distribution. And yet, apart from Yamagata (founded in 1989),…

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Eugenia Brodsky: Chrysanthemum

Before the white chrysanthemum the scissors hesitate a moment — Yosa Buson This poem touched me with a simple truth: even death pauses before the beauty of life. It made me realize what stops time for me—my children, the most fragile and tender beauty I know. Through them, childhood became in my mind, a fleeting

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Photography Educator: Natasha Lehner

Photography Educator is a monthly series on Lenscratch. Once a month, we celebrate a dedicated photography teacher by sharing their insights, strategies and excellence in inspiring students of all ages. These educators play a vital role in student development, acting as mentors and guides who create environments where students feel valued and supported, fostering confidence and resilience.…

Brandon Tani: Mining New Veins

Brandon Tani is a San Diego photographer who has received concerted attention through his participation in Medium Photography’s yearly festival and the organization’s juried events. Within the nexus of this borderlands photo community, Tani has presented portfolios of his recent and ongoing projects, which include photo books that outline the lyrical parameters of his investigations, as

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Learn Film Analysis With This Cheat Sheet

We've all gotten into a debate about a movie with our friends. One says it sucks, another says it's great, and they go back and forth. If your friends are anything like mine, it probably gets personal after that.

But that's not the way it should go.

If you want to work in Hollywood, be a critic, or make films or TV shows, you should know how to speak about them in an educated way.

Late…

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Nicolas Brunetti: Inshallah

Recent European photography has undergone a sophisticated shift toward cinematic portraiture, moving away from the clinically perfect digital aesthetic of previous years infavor of a more deliberate, filmic narrative. This trend treats the single frame not as a standalone portrait, but as a still from a larger, unseen movie. By utilizing anamorphic-style wide crops, dramatic

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Fishbowl Review – Memories Beyond 3 Seconds

Fishbowl is a game about routine. Controlling our protagonist, we need to make sure she eats, sleeps, and cleans throughout the day. Taking care of her is a sweet backdrop and a stable throughline to keep Fishbowl grounded. Unfortunately, between the routine of everyday life and the representation of depression, Fishbowl feels like it misses […]

Mexico Week – David Muñiz: Between the Archive and the Algorithm

When I think of Mexico Week I don’t just see it as a series of interviews, but as a compass of what’s yet to come. Seven artists, each working from a different place—whether it’s femininity, nature, society, history, identity, architecture, or the unconscious—share an undoubtable longing to express themselves in an innovative and true way.

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Mexico Week – Cristina Kahlo: When Memory Meets the Lens

When I think of Mexico Week I don’t just see it as a series of interviews, but as a compass of what’s yet to come. Seven artists, each working from a different place—whether it’s femininity, nature, society, history, identity, architecture, or the unconscious—share an undoubtable longing to express themselves in an innovative and true way.

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How to Create a Consistent Story Tone (And Why It Matters)

We might define your story’s tone as its attitude. More than that, it’s a guide for audiences to help them determine their own attitudes while engaging with your story. Tone tells audiences how to experience the events unfolding on the page. As such, you have to set your story’s tone right from the beginning. Is […]

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BEYOND THE PHOTOGRAPH: Q&A WITH COMMERCIAL PHOTOGRAPHER ANDY MAHR

Beyond the Photograph is a Lenscratch Magazine series dedicated to helping photographers grow their artistic practices beyond the camera. Capturing images is just one small part of a photographer’s journey. In this series, we’ll explore the tools, strategies, and best practices that support the broader aspects of a contemporary art career. I met Andy Mahr

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Photography Educator: Eirik Johnson

Photography Educator is a monthly series on Lenscratch. Once a month, we celebrate a dedicated photography teacher by sharing their insights, strategies and excellence in inspiring students of all ages. These educators play a vital role in student development, acting as mentors and guides who create environments where students feel valued and supported, fostering confidence and resilience.…

Review Santa Fe: Ilana Grollman: Just Know That I Love You

In early November 2025, I was invited to CENTER’s Review Santa Fe. Being my first time in the Southwest and experience on the Reviewer side of the table, I wasn’t quite sure what to expect. As an educator, I love reviewing work; when others hear “critique,” they may shy away, but I love the experience

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Review Santa Fe: jessamyn lovell: How To Become Invisible

In early November 2025, I was invited to CENTER’s Review Santa Fe. Being my first time in the Southwest and experience on the Reviewer side of the table, I wasn’t quite sure what to expect. As an educator, I love reviewing work; when others hear “critique,” they may shy away, but I love the experience

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Review Santa Fe: Julia Cluett: Dead Reckoning

In early November 2025, I was invited to CENTER’s Review Santa Fe. Being my first time in the Southwest and experience on the Reviewer side of the table, I wasn’t quite sure what to expect. As an educator, I love reviewing work; when others hear “critique,” they may shy away, but I love the experience

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Review Santa Fe: Barron Bixler: And Hell Followed

In early November 2025, I was invited to CENTER’s Review Santa Fe. Being my first time in the Southwest and experience on the Reviewer side of the table, I wasn’t quite sure what to expect. As an educator, I love reviewing work; when others hear “critique,” they may shy away, but I love the experience

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Review Santa Fe: Elizabeth Z. Pineda: Sin Nombre en Esta Tierra Sagrada

In early November 2025, I was invited to CENTER’s Review Santa Fe. Being my first time in the Southwest and experience on the Reviewer side of the table, I wasn’t quite sure what to expect. As an educator, I love reviewing work; when others hear “critique,” they may shy away, but I love the experience

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Die Geburt einer Tragikomödie . . .

Wer die Abschlussdiskussion von Samstagmorgen auf der Synodalkonferenz erlebt oder mitverfolgt hat, hört den sublimen Neomarxismus aus dem ganzen Quotengeschachere heraus, das nicht wenige der Diskutanten verwirrt und sogar Kardinal Marx erbost und Bischof Kohlgraf verärgert hat. Helmut Müller erinnert das an die Geburt einer Tragikomödie aus dem Geist des kommunistischen Manifests von 1848.

Der…

Review Santa Fe: Patricia Howard: Unknown Ancestors

In early November 2025, I was invited to CENTER’s Review Santa Fe. Being my first time in the Southwest and experience on the Reviewer side of the table, I wasn’t quite sure what to expect. As an educator, I love reviewing work; when others hear “critique,” they may shy away, but I love the experience

View the rest of Review Santa Fe: Patricia Howard: Unknown Ancestors on LENSCRATCH.

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