The Infinite Light of Duane Michals

I first learned of Duane Michals, like many, in a history of photography course in college. Squished between formalist foundations and the radical love of Nan Goldin was Michals. I still remember seeing his photographic sequences of angels leading a figure away from their deceased body for the first time on a murky projector in a

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ETIENNE WILLEM – Der Mann mit dem Schottenrock

Bei Etienne Willem fallen mir zuerst immer seine Charaktere ein: ein Hase, der tapfer sein will und noch nicht weiß, wie schwer Tapferkeit werden kann. Oder ein Affe, der in einem Cockpit sitzt und den Himmel nicht als Freiheit verkauft, sondern als Risiko. Oder eine junge Frau im Paris der Weltausstellungen, die umgeben ist von […]

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FLORIAN SATZINGER – Enten, Federn, Düsen(an)trieb

Florian Satzinger inspiriert mich seit Jahren. Das klingt erst einmal groß, fast zu groß für einen Künstler, dessen Werk oft mit Schnäbeln, Matrosenmützen, Raketen und Cartoon-Augen loslegt. Doch genau darin liegt für mich der Reiz. Bei ihm beginnt der Witz nie beim Gag allein. Er beginnt bei der Form. Eine Figur kippt den Kopf, der […]

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Ashley Chappell: In My Dream

There are photographers who document the world as it appears, and there are photographers who transform the medium into a space for emotional excavation, memory, and imagination. Ashley Chappell belongs firmly in the latter category. Moving between fashion and fine art, she creates photographs that resist easy definition. Her images that feel suspended between dream and

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Eugenia Brodsky: Chrysanthemum

Before the white chrysanthemum the scissors hesitate a moment — Yosa Buson This poem touched me with a simple truth: even death pauses before the beauty of life. It made me realize what stops time for me—my children, the most fragile and tender beauty I know. Through them, childhood became in my mind, a fleeting

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Donna Gordon: 2025 Denis Roussel Award Winner

Interdisciplinary artist and writer Donna Gordon was awarded the 2025 Denis Roussel Award through Rfotofolio. Her submission featured a series of exquisite photogravure portraits of women situated within the natural world, evoking contemporary visions of Eve in the Garden of Eden. Juror Christopher James praised the work, writing, “This body of work is grounded in myth and meaning

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Cozette Russell in Conversation With Douglas Breault

Cozette Russell builds densely shadowed worlds that reverberate through imagery and surface, considering time as a tactile material in itself. Intimate moments of her life are split, repeated, and coerced into forms that echo a rhythmic heartbeat on their own. Russell’s work is autobiographical and closely questions overlapping elements of care, feminism, and the many

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Brandon Tani: Mining New Veins

Brandon Tani is a San Diego photographer who has received concerted attention through his participation in Medium Photography’s yearly festival and the organization’s juried events. Within the nexus of this borderlands photo community, Tani has presented portfolios of his recent and ongoing projects, which include photo books that outline the lyrical parameters of his investigations, as

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Marius Schultz: Red-Haired Girls

Recent European photography has undergone a sophisticated shift toward cinematic portraiture, moving away from the clinically perfect digital aesthetic of previous years infavor of a more deliberate, filmic narrative. This trend treats the single frame not as a standalone portrait, but as a still from a larger, unseen movie. By utilizing anamorphic-style wide crops, dramatic

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Carlotta Cardana: Kabukicho Nights

Recent European photography has undergone a sophisticated shift toward cinematic portraiture, moving away from the clinically perfect digital aesthetic of previous years infavor of a more deliberate, filmic narrative. This trend treats the single frame not as a standalone portrait, but as a still from a larger, unseen movie. By utilizing anamorphic-style wide crops, dramatic rim

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Justine Tjallinks: Vision

Recent European photography has undergone a sophisticated shift toward cinematic portraiture, moving away from the clinically perfect digital aesthetic of previous years infavor of a more deliberate, filmic narrative. This trend treats the single frame not as a standalone portrait, but as a still from a larger, unseen movie. By utilizing anamorphic-style wide crops, dramatic

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Mexico Week – David Muñiz: Between the Archive and the Algorithm

When I think of Mexico Week I don’t just see it as a series of interviews, but as a compass of what’s yet to come. Seven artists, each working from a different place—whether it’s femininity, nature, society, history, identity, architecture, or the unconscious—share an undoubtable longing to express themselves in an innovative and true way.

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Mexico Week – Tomás Casademunt: Time Frozen by Light

When I think of Mexico Week I don’t just see it as a series of interviews, but as a compass of what’s yet to come. Seven artists, each working from a different place—whether it’s femininity, nature, society, history, identity, architecture, or the unconscious—share an undoubtable longing to express themselves in an innovative and true way.

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H.

Elle a une façon bien à elle d’éviter la rencontre : en percutant.

Sans transitions, une nonchalance adolescente poussée à son paroxysme.

La fuite ça l’a toujours sauvée, et elle n’a personne pour l’encourager à

BEYOND THE PHOTOGRAPH: Q&A WITH COMMERCIAL PHOTOGRAPHER ANDY MAHR

Beyond the Photograph is a Lenscratch Magazine series dedicated to helping photographers grow their artistic practices beyond the camera. Capturing images is just one small part of a photographer’s journey. In this series, we’ll explore the tools, strategies, and best practices that support the broader aspects of a contemporary art career. I met Andy Mahr

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Zanele Muholi: 2026 Hasselblad Award Laureate

The Hasselblad Foundation is delighted to announce that Zanele Muholi is the 2026 Hasselblad Award laureate – the world’s largest photography award, consisting of SEK 2,000,000, a gold medal, and a Hasselblad camera. The laureate is honoured with a solo exhibition at the Hasselblad Center from 10 October 2026 until 4 April 2027, along with

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Greg Miller: Morning Bus

I remember the day it happened. I was in second grade, snuggled beside my mother as we watched their innocent faces fill the television. These images formed a heartbreaking mosaic of the children who lost their lives in the 2012 Sandy Hook Elementary School tragedy. She turned the TV off, shaking her head in disbelief

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Binh Danh: Belonging in the National Park

The Center for Photographic Art recently opened the exhibition, Binh Danh, Belonging in the National Parks, that will run through March 22, 2026. This recent series of daguerreotypes celebrates the United States National Park system during its 110 th anniversary year and also asks the question of who belongs in the National Parks? The daguerreotype is both mirror

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Tom Zimberoff: The White Fence and more..

After yesterday’s Black and White Portrait exhibition, today continues our exploration of faces in monochrome. As an Angeleno, I was excited to discover the photographs of Tom Zimberoff, particularly his project on Mexican-American immigrants in East LA, through his recognition in the 2025 Critical Mass Top 50. We met at the opening at the Duncan Miller Gallery and shared

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